![]() ![]() My point is, fullframe is nice, but crop is also super usable and not really a disadvantage at all. Using the electronic shutter does result in losing about half. The Nikon won’t create as nice of Jpegs as the Fuji, and the Fuji won’t perform in challenging conditions as well as the Nikon. The X-T3s dynamic range is holds up well compared to other modern cameras, even full-frame ones. ![]() Both are very good for that, and serve there own purposes.īoth can do the job of the other, just not as well. Heading out to a location for some grand landscapes? Nikon. I shoot Raw on Nikon and use it for shooting where I’m going more for high quality imaging. I like to use my Fuji as a Jpeg shooter, using fun recipes to create a simpler more enjoyable experience. I could probably print bigger on the D850 but both will print up to the biggest sizes I print at (13x19). Resolution wise obviously the D850 is higher but they both make pleasing to look at images. The low light advantage of the D850 is negligible really, both cameras look usably good at iso6400 and both degrade a mild amount at 12800 and I wouldn’t really use either at 25600. That said I could use just the X-T3 for most of what I do. (The camera will annoyingly nag you every time it’s switched on if you’re using anything besides the company’s $65 W126S battery, so be forewarned if you’re considering cheaper off-brand alternatives.Now, to be fair, I still have a fullframe setup. Battery life is just slightly improved over the X-T2, so I’m firmly locked in the habit of shutting the camera off whenever I don’t need it and am almost always carrying a spare. The display time lag of just 0.005 seconds and. But I’m not sure how Fujifilm could’ve crammed it in without compromising the X-T3’s appealing design. The FUJIFILM X-T3 features a 3.69-million-dot high resolution EVF with a high magnification ratio of 0.75x. Unlike the latest full-frame mirrorless systems out there which have all begun using a pretty large, high-capacity battery that lasts about as long as DSLR battery life, Fuji has used their existing NP-W126s battery in the X-T3. It’s the one missing ingredient here that would truly put this camera over the top. Fuji X-T3, Fuji XF 16-55mm f/2.8 WR 1/125 sec, f/5.6, ISO 200. On that subject, I do wish the X-T3 had IBIS. It feels like Fujifilm purposefully decided against one just to give a future X-H2 another selling point beyond in-body image stabilization. The face detection is reliable enough that vloggers can probably get away with holding the camera toward them with a wide lens and shooting blind, but that’s nowhere near as good as having a monitor to glance at. The lopsided days of this company’s cameras being great for stills and terrible for video are over.īut the lack of a flip-around screen is a definite knock against the X-T3. It’s impressive to see how far Fujifilm’s video capabilities have come. I’m not about to up and start a new career as a filmmaker or YouTuber, but the X-T3 puts some cutting-edge creativity at your disposal. If you prefer having the most dynamic range when grading, Fuji’s F-Log profile is the way to go, but there’s also a film simulation designed for video called Eterna that should work great for general editing purposes. (The even more information-rich 4:2:2 recording is available externally over HDMI.) Now, don’t get overwhelmed by the videographer jargon what it all means is that the X-T3 is a wonderfully capable video-creation tool that’s right up there with Panasonic’s best. This camera allows you to internally shoot 4K video at up to 60 fps in 10-bit 4:2:0 color right to the SD card in H.265/HEVC, and you can select a bitrate of up to 400Mbps for frame rates of 30p and below. ![]() The new processor also contributes to the X-T3’s powerhouse video capabilities. ![]()
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